The Movie Thread

What happened to the pied-noirs in Algeria was genocide, full stop. Yes, they were "colonists," but that doesn't change anything (aren't Arabs also colonists in North Africa?). Imagine if White Americans or Canadians ("descendants of colonists") were given a choice between the "suitcase or the coffin" (literally what the Europeans in Algeria were presented with) as some kind of decolonization effort by Third Worlders. Algeria was all the pied-noirs had known for generations, and what befell them gets swept under the rug due to the post-World War II (dis)order.
I don't know the history of the French in Algeria very well, so correct me if I'm wrong, but it's funny how the French had to leave Algiers although somehow the Algerians were permitted to remain in France and also to increase their immigration.
 
I don't know the history of the French in Algeria very well, so correct me if I'm wrong, but it's funny how the French had to leave Algiers although somehow the Algerians were permitted to remain in France and also to increase their immigration.
As usual, the people were sold out by their political "leaders." The 1968 accord between France and Algeria afforded them privileged migration for the purposes of cheap, nominally French-speaking labor. French nationalists are trying to get it repealed.
Signed six years after Algeria gained independence from France, the 1968 agreement allows for Algerians and their families to obtain French residency certificates – similar to residency permits issued to other foreigners – through an expedited procedure.

Algerians are also allowed to set up as freelancers or start their own businesses without the extra formalities other foreigners may face.
 
Didn't see any of the nominated movies this year, and don't really care to. The record-breaking DEI movie Sinners is categorized "Films critical of Christianity and Christians" on Wikipedia.


Decent film but definitely has an anti-Christian slant to it. That said, the chiefest critiques of Christianity come from the mouth of a demon-vampire. I thought this video covered it pretty well:
 
Didn't see any of the nominated movies this year, and don't really care to. The record-breaking DEI movie Sinners is categorized "Films critical of Christianity and Christians" on Wikipedia.


Anti white anti Christian mediocre flick gets most Oscar nominations ever? What a shock!

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Decent film but definitely has an anti-Christian slant to it. That said, the chiefest critiques of Christianity come from the mouth of a demon-vampire. I thought this video covered it pretty well:

Sinners was a decent film but basically just a remake of “From Dusk til Dawn”. Entertaining but unoriginal.
 

Really good channel for redpilled film analysis I came across. I consider myself pretty up on this kind of material but this guy consistently brings up thought provoking points that I didn't think of. His video on Michael Jackson ("American Golem") is brilliant and disturbing as well. His monotone delivery is a bit weak but the content is worthwhile.



 
I watched a movie called Roofman the other day on Netflix. It's an amazing true story about a guy who broke into fast food restaurants like McDonald's through the roof and robbed them. At one point, he's forced to hide out in a Toys 'R Us where he lives for months on end until things cool down. He even ends up dating one of the unsuspecting female employees who has no idea he's living there at the store. It's quite a story.

There's even a Christian subplot that doesn't mock the faith in a way that your usual Hollywood film does. 7.3/10
 
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Deer Hunter (1978) was already mentioned in this thread a few pages back, but I re-watched it and have to give it a tout because, even though I always thought it was great, I realize now that I under-rated it at 10/10. It's simply off the scale.

Maybe I'm getting older, but this is the first time I appreciated the consistently serious tone in the film, which I think has been lacking in Anglo cinema since the 1950's.

This movie is a masterpiece with a wonderful structure that wastes no time on unnecessary transitions and frequently rewards the viewer with amazing scenery that briefly slips by behind an actor enlarged in the foreground.

It also has profound subtext supporting its main theme that blows away all the other war films, like Paths of Glory, Full Metal Jacket, and Apocalypse Now, and hits even harder than Bridge Over the River Kwai.

Re-watching makes me grieve that Michael Cimino was something of a one-hit wonder. May his memory be eternal!
 
Deer Hunter (1978) was already mentioned in this thread a few pages back, but I re-watched it and have to give it a tout because, even though I always thought it was great, I realize now that I under-rated it at 10/10. It's simply off the scale.

Maybe I'm getting older, but this is the first time I appreciated the consistently serious tone in the film, which I think has been lacking in Anglo cinema since the 1950's.

This movie is a masterpiece with a wonderful structure that wastes no time on unnecessary transitions and frequently rewards the viewer with amazing scenery that briefly slips by behind an actor enlarged in the foreground.

It also has profound subtext supporting its main theme that blows away all the other war films, like Paths of Glory, Full Metal Jacket, and Apocalypse Now, and hits even harder than Bridge Over the River Kwai.

Re-watching makes me grieve that Michael Cimino was something of a one-hit wonder. May his memory be eternal!
Also that Cimino went insane and trans but at least he made this.
 
Also that Cimino went insane and trans but at least he made this.
I didn't know that he went trans. Really? That's wild!

IMO he made one of the very best American films of the entire Big Studio, Big Money, Blockbuster 1975 - 1999 era.

I think Deer Hunter is superior to any Kubrick film,.except Strangelove, which is in a different category. I think the black comedy of Strangelove's war is different but equal to the seriousness of Cimino's.
 
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